I own the top 16 for sure but have to look to verify all I have. Leading from behind his drum set, the irrepressible Blakey puts his young charges through their paces on a selection of fast and slow material. One of the earliest incarnations of the group – with pianist Horace Silver, trumpeter Kenny Dorham, and saxophonist Hank Mobley – can be heard on this double-volume live set recorded in a famous Greenwich Village jazz club. Often referred to as drummer Art Blakey’s “Hard Bop Academy,” the long-running Jazz Messengers was a breeding ground for talented young musicians that spanned several generations, ranging from Lee Morgan to Wynton Marsalis. The Jazz Messengers – At the Café Bohemia Vols I & 2
#Old blue song trumpet knotes free
The absence of a pianist allows Rollins to play in a free and unfettered way.
#Old blue song trumpet knotes how to
The tenor titan plays with an authoritative vigor, providing a masterclass of how to improvise without resorting to repetition and clichés. This iconic album was Sonny Rollins’ fourth and final LP for Blue Note, capturing him on stage in one of New York’s most prestigious jazz venues in the company of bassist Wilbur Ware and drummer Elvin Jones. Sonny Rollins – A Night At The Village Vanguard Hill and Chambers share the composer credits on the set’s five tunes, which range from intoxicating Latin grooves (“Catta”) to pastel-hued reveries (“Idle While”) and jagged, Thelonious Monk-style blues (“Ghetto Lights”).Ĭlick to load video 33. His debut release for Alfred Lion’s label was this adventurous post-bop outing featuring a sextet comprising trumpeter Freddie Hubbard, multi-reed player Sam Rivers, pianist Andrew Hill, bassist Richard Davis, and drummer Joe Chambers. In a long and fertile first stint with Blue Note that spanned the years 1963-1977, vibraphonist Bobby Hutcherson recorded 22 albums in a range of different styles. Though only 24 at the time, Hubbard plays with an astonishing maturity, shining on four original hard bop-style pieces that include the beautiful ballad, “Lament For Booker,” a homage to fellow trumpeter Booker Little, who had died the previous year. It found him in the company of a quintet that included pianist Herbie Hancock – who was still riding high from the success of his debut platter, Takin’ Off – and saxophonist/flutist, James Spaulding. Recorded four years later, Hub-Tones was Hubbard’s fifth Blue Note album. Indianapolis-bred Hubbard set the New York jazz scene on fire with his virtuosic trumpet playing when he moved there aged 20 in 1958. But undoubtedly, the album’s most arresting cut is “The African Queen,” a loping atmospheric piece characterized by an infectious descending horn melody, a mind-blowing Joe Henderson solo and Roger Humphries’ turbulent drum fills.Ĭlick to load video 44.
The music ranges from vibrant uptempo material (the title track and pulsating “Nutville”) to mellow mid-tempo grooves (“Pretty Eyes”). The pianist fronts a quintet featuring rising Philadelphia trumpet star Woody Shaw, and tenor saxophonist Joe Henderson, who are augmented on three tracks by trombonist J.J. Silver’s family originated in Cape Verde, a Portuguese-speaking island off north-west Africa, and this, his 13th Blue Note album, paid homage to his ancestral roots. One of hard bop’s chief architects, Connecticut-born pianist-composer Horace Silver was also a co-founder member of The Jazz Messengers and helped to establish the two-horn frontline (trumpet and saxophone) as the norm in small-group jazz. The musical alchemy they summon is spellbinding.Ĭlick to load video 46. Cherry and his cohorts improvise – both as individuals and collectively – on several different musical themes that flow into one another in a free and organic way.
Featuring Argentine saxophonist Gato Barbieri, bassist Henry Grimes, and drummer Ed Blackwell, the album consists of two extended suites. Having appeared in the late 50s and early 60s on significant envelope-pushing LPs by jazz iconoclasts Ornette Coltrane, John Coltrane, and Albert Ayler, Cherry presented his unique personal musical manifesto on Complete Communion, his debut as a leader. Oklahoma-born trumpeter Cherry was 29 when he recorded this groundbreaking album, the first of three long-players for Blue Note. Let us know in the comments, below, which ones you think we may have missed. This list of 50 albums is a mere fraction of the LPs that Blue Note has put over the years.
It is a mission that he never wavered from, nor have the Blue Note albums that have followed in his illustrious footsteps. But when Alfred Lion started the label in 1939 with a recording of boogie-woogie pianists Meade Lux Lewis and Albert Ammons, his intention was simple: To release music that he felt was important. Blue Note is unquestionably the most iconic jazz label there’s ever been.
0 kommentar(er)
